Review for Shot Pro by Sean D Brown

I want to thank the good people at Shot Pro for allowing me to do this review.

You can find more info about them here. I also want to thank Time and Oak  for this shoot as this was a great chance to plan out a shoot with this app for the review. I will update this blog post with a link to the final video once it’s done.

Enjoy.

Stock footage, Shot on Red Epic 5k Raw.

Hey everyone,

Today I uploaded a few clips to my account at Nimia. All of the footage was shot on the Red Epic or the Red Scarlet in 4k or 5k.

If you find a clip on the site you like and want it in Red Raw in 4k or 5k please let me know and we can set up a special account just for that.

 

Hope you enjoy the footage and I am always open to special requests for stock footage.

 

Sean D Brown

Red Epic X Dragon 6K Raw now in Portland.

My RED Epic MX is now upgraded to #Dragon! The new specs for this camera are listed below. Red Dragon Frame rates are a screen grab photo below.

 

EPIC-M RED DRAGON®
Sensor 19 MEGAPIXEL RED DRAGON®
Pixel Array 6144 (h) x 3160 (v)
S/N Ratio 80 dB
Dynamic Range 16.5+ stops
Max Image Area 6144 (h) x 3160 (v)
Lens Coverage 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)
Acquisition Formats 6K RAW (2:1, 2.4:1)
5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)
Project Frame Rates 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Delivery Formats1 4K: DPXTIFF, OpenEXR (REDRAY® via optional encoder)
2K: DPXTIFF, OpenEXR (REDRAY via optional encoder)
1080p RGB 4:2:2, 720p 4:2:2 : Quicktime, JPEG, Avid AAFMXF
1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
Program Output HD-SDI Clean Feed
2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
Monitor Output HD-SDI and HDMI with Frame Guides and Lookaround
2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
Digital Media REDMAG® 1.8″ SSD: 48GB, 64GB, 128GB, 240GB, 256GB, 512GB
RED MINIMAG®: 512GB
REDCODE™ For a full list of maximum available REDCODEvalues, see the DSMC Media Operation Guide, available at www.red.com/downloads
Audio 2 channel, uncompressed, 24-bit, 48KHz.
Optional 4 channel, and AES/EBU digital audio.
Monitoring Options RED Touch 5.0″ LCD
RED PRO 7″ LCD
RED Touch 7.0″ LCD
RED Touch 9.0″ LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
Remote Control REDLINK Wireless, Ethernet, RS232, GPI Trigger
Weight 5 lbs (Body only)
Construction Aluminum Alloy
Operating Temperature Range 0°C to 40°C (32°F to 104°F)
Storage Temperature Range –20°C to 50˚°C (–4°F to 122°F)

Web series

So this last month has been pretty busy for me. I got the chance to shoot for Columbia Sportswear, X Box. A national TV Show, and now a Web Series that is taking me to India.

Made some new investments in Cinema Glass and happy with the quality and caliber of the work that’s coming in.

Looking forward to great projects in 2014.

Sean D Brown